Aimé Mpane remembers when he first saw the old statues. It was 1994, and the Congolese visual artist had just moved to Belgium, which once ruled his country. Growing up in the Democratic Republic of Congo, Mpane says he had been taught in school that the Congolese were descended from the Gauls — "that they were our kings." "In our schoolbooks, it was as if the Congolese did not exist without Belgian colonialists," says Mpane, 50. His work ...
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Artists these days have a new concern at the forefront of their minds when designing tours and concerts: how they look not just to live audiences — but also to millions, and potentially billions, of people at home. A chief driver of that worry is Instagram. In the last year, the social media app has added 300 million monthly active users — doubling in size and bringing its total global user count to twice the size of the population of the ...
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