In the autumn of 1967, Bob Dylan took a mysterious trip to Nashville. "As I recall, it was just on a kind of whim that Bob went down," Robbie Robertson, who had spent much of that summer wood shedding with Dylan and the rest of the Band in upstate New York, would later say. To this day, no one knows for sure when Dylan wrote many of the 12 songs he recorded on his secretive visit. He hadn't played a single one of them during his mythic sessions in the basement of "Big Pink" near Woodstock that year, and he reputedly composed several of the best new tunes ("The Ballad of Frankie Lee and Judas Priest," "I Dreamed I Saw St. Augustine" and "Drifter's Escape") during his two-day train ride from New York to Nashville. Once there, he knocked out his eighth album in just three sessions in a local studio. "We did the whole thing in nine, nine and a half hours," says Charlie McCoy, who returned from the Blonde on Blonde sessions to play bass on the new material. "He was focused. And he never used a lyric sheet. To memorize those lyrics, with all those double meanings, was impressive."
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