The music that saxophonist Pharoah Sanders made in the late Sixties and early Seventies will probably always be categorized as jazz. But that seems wrong, somehow. Where bebop is all about form and its infinite variations, the sounds put forth on Sanders albums such as 1967's Tauhid, 1969's Jewels of Thought, and 1970's Deaf Dumb Blind (Summun Bukmun Umyun) – records filled with ...
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