Antique

A woman photographs inside the "Aftermath of Obliteration of Eternity" room during a preview of the Yayoi Kusama's "Infinity Mirrors" exhibit at the Hirshhorn Museum on Feb. 21, 2017 in Washington, D.C.



You are suspended in an endless dark chamber as thousands of red, green, yellow and blue lights flicker across the air like tiny diamonds in the sky.

"You can sort of skip that whole first part where you have an artistic process and an artistic critique of something, and just go straight to the selfie by building a space that exists primarily for replication online," she says.
In a TED Talk last year on "Art in the Age of Instagram," JiaJia Fei, director of digital at the Jewish Museum of New York, of "Instagrammable" exhibitions since the social media platform launched in 2010.

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