Shift K3Y - I Know
http://youtu.be/h-nnAeByB1A
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Shift K3Y - I Know
http://youtu.be/h-nnAeByB1A
Good Evening:
http://youtu.be/f4b0E-QUEaM
Sisqo - Incomplete
http://youtu.be/Z6qqS9mbdY4
Motown Music - Smooth Sax (Smooth Jazz Sax Instrumental Covers of Popular Motown Songs)
Track 01 - Let's Stay together - 0:00:03 - 0:04:24
Track 02 - Ain't Not Woman - 0:04:24 - 0:10:41
Track 03 - After The Dance - 0:10:41 - 0:16:52
Track 04 - Baby, I Love You - 0:16:52 - 0:24:13
Track 05 - Let's Get it On - 0:24:13 - 0:29:40
Track 06 - This Masquerade - 0:29:40 - 0:36:16
Track 07 - Papa's Gotta Brand New Bag - 0:36:16 - 0:42:32
Track 08 - Sexual Healing - 0:42:32 - 0:48:04
Track 09 - Where Is The Love - 0:48:04 - 0:53:05
Track 10 - Use Me - 0:53:05 - 0:58:04
Track 11 - You Are My Lady - 0:58:04 - 1:03:17
Track 12 - Baby, It's You - 1:03:17 - 1:08:42
Track 13 - Here And Now - 1:08:42 - 1:13:34
http://youtu.be/jX8HxO-ylHU?list=PLU0nfOfrdNii9DC2FVgy9jvjDFksN9yg8
Mark Maxwell is a musician that loves playing soft smooth jazz saxophone instrumental songs that are great for background music during any occasion. Mark’s music is great for dinner parties, cocktail parties, and small intimate get-togethers. His smooth jazz sound is both relaxing and seductive.
Esther Phillips - What A Difference A Day Makes
http://youtu.be/E1_vsu2DyLs?list=PLbuHmNpbAjiQ-fxitC0ifbSAGhhch4p6D
Smooth jazz instrumental ►► Music Paradise for Meloman
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Jazz saxophonist Jessy J is a fine player. Her dexterity on the keys is solid, her intuition good.
But in a recent run in the Lehigh Valley that brought sax players Steve Coleman to Allentown JazzFest and, less than a week earlier, Kamasi Washington to the same Musikfest Café at ArtsQuest Center that Jessy J played Thursday, Jessy J was clearly a step below them.
What Jessy J has going for her is that she is an attractive woman who reimagines contemporary songs or classic jazz as smooth jazz with a band of excellent players.
That’s fine, too, and it made for an entertaining show.
In a 14-song, 80-minute show that was among the headliners for ArtsQuest’s RiverJazz series, Jessy J clearly understood her strong points.
Dressed in a short, clingy red dress and high heels, swaying and dancing while playing, she opened with a not-so-subtle instrumental cover of Chaka Khan’s “I’m Every Woman.”
“Not only men can play the saxophone,” she told the audience of 260. “Ladies can do it.”
Jessy J explained that all of her five albums are in different musical styles, and her most recent, last year’s “Second Chances,” was R&B. She played three selections from it, including the good title track, and over-explained on “La Luna Feliz” that the song contained elements of soul, jazz and funk – apparently just in case you couldn’t hear it.
the source
KING CRIMSON - Starless - Live 1974 -
http://youtu.be/aAAqAnCBNKQ
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Bee Gees singer Barry Gibb has revealed plans for his first new solo release on 32 years. The new release will be titled In The Now and will mark his first solo effort since 1984's Now Voyager. The news comes at a busy time for Gibb, who also was recently invited to play live with Coldplay at the Glastonbury Festival.
The band are putting a Bee Gees medley together cramming in all of their classics
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Fantasia has released the track list for her upcoming fifth studio album, The Definition of . . .. The album features eleven songs and multiple guest appearances. Among artists featured on the album are Stacy Barthe, Aloe Blacc and Tye Tribbett. The Definition Of . . . is Fantasia's first studio album since her 2013 release of Side Effects of You.
The Definition Of . . . is Fantasia's first studio album since her 2013 release of Side Effects of You. She has given the public a taste of the direction of her new album with the releases of "Sleeping With the One I Love," "Ugly" and "No Time for It."
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I also love George Benson Smooth Jazz (LLove Will Come Again) Featuring Chaka Khan
https://www.youtube.com/watch?v=JAuH4P8ZiuY
Rap and the discordant collapse of a Beethoven quartet are to feature in a provocative trio of television advertisements aimed at shaking up perceptions of BBC Radio 3.
Attachment 23451
The deliberately shocking short films, to be broadcast from Friday, feature new work specially created for the radio station and include unconventional jazz sounds created by rapper and saxophonist Soweto Kinch, modern poetry from Alice Oswald and the deconstruction of a Beethoven late quartet into abstract electronic notes, courtesy of composer Matthew Herbert – also known as Doctor Rockit.
They are intended to highlight new work commissioned by the station, which turns 70 years old on Thursday. The adverts conclude with the simple phrase, “Commissioned by Radio 3”.
“I was nervous but excited when I first saw these films,” said Alan Davey, the station’s controller. “We are demonstrating things about us that younger people don’t know. They are very bold, arresting films and if some Radio 3 listeners complain about them I am just going to say this is what Radio 3 has always been about, pioneering sounds, right from when it started in September 1946 as the Third Programme.”
the source
Smooth Jazz Radio Stations
Attachment 24565
http://youtu.be/dm0MD70AWKI
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Attachment 25795
http://youtu.be/lgWY0_BpQ9QQuote:
With the supremely funky rhythm section of Marcus Miller (bass), Lenny Castro (percussion) and Omar Hakim (drums) propelling his piano most of the way -- the other ringers on a few tracks aren't bad either -- you would think that Joe Sample couldn't miss on this solo outing, Spellbound. Indeed, his distinctive piano cannot be mistaken for anyone else's, free of the usual mainstream influences and always a pleasure to groove to. And yet there is something too comfortable, too settled, too automatic about the musicmaking here, as if the grooves are being smothered by a warm, snuggly electric blanket. Another problem is the material; not much leaps into your memory banks. Nor is it meant to, perhaps, since the gently sustained electronic textures suggest that this is, above all, high-class background music. Al Jarreau, Michael Franks and Take 6 -- all Warner Bros. signees, natch -- put in characteristic cameo vocal appearances on one track apiece, and a background choir sings "Luna en New York" in Spanish.
Providing a Global jazz community for Smooth Life enthusiasts, with a vibrant multimedia experience, combining the finer things in life... Music, travel, food and entertainment.
The music industry innovator started her broadcasting career at the age of 15 on John Steinbeck's Cannery Row in Monterey, California. Hand-selected, less than 10 years later for the KTWV - The Wave's on-air team in Los Angeles, the popular radio personality turned successful concert promoter, purchased the SmoothJazz.com domain in 1995, launching a Global radio station in 2000.
Smooth Jazz Global and Radio Player: the website
The Player: SmoothJazz Global Radio Player
Q-Tip paid tribute to Mobb Deep's Prodigy on his Beats 1 radio show with a two-hour play list dedicated to the rapper's classic tracks. Prodigy died Tuesday at the age of 42.
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Rapper Prodigy died at the age of 42, but his legacy of mixing street-level grit with emotional heft lives on
"We lost a big one. I'm about to take y’all through the zone…you know what it is. Prodigy from Mobb Deep. Rest in peace. Rest in power to the brother…his whole family. The whole Johnson Family and all that. Celebrating the life and the legacy of Mobb Deep’s Prodigy. We love you, baby."
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Thirty Seconds to Mars will celebrate the 4th of July with a video project that relies on fans' footage to create "a filmed portrait of the country."
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He was a wild child who became an Oscar winner — and with 'Suicide Squad,' the screen's most iconic, anarchic supervillain
The "A Day in the Life of America" project will "capture 24 hours in the life of our country on Independence Day," frontman Jared Leto said in a trailer for the film.
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Gwen Stefani is facing a lawsuit from a fan that broke their leg during one of the singer's concerts. Live Nation is also listed as a defendant in the lawsuit, which seeks compensatory and punitive damages.
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In the federal complaint filed Friday, Lisa Keri Sticklin accuses the No Doubt singer of causing a "crowd rush" at a Charlotte, North Carolina gig in July 2016 that resulted in Sticklin suffering several injuries including a broken tibia.
According to Sticklin, Stefani encouraged fans sitting in the lawn portion of the PNC Pavilion to rush into the reserved seated half of the amphitheater, Courthouse News reports.
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Jay-Z's 4:44 "debuted" at Number One on the Billboard 200, a week after the rapper's latest LP went instant platinum but was ruled ineligible due to chart rules.
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4:44, Jay-Z's 14th Number One album, sold 262,000 total copies – and 174,000 traditional copies – after the album's weeklong Tidal exclusivity expired and the LP popped up on other streaming services, digital music stores and compact disc.
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For his fourth album, Steve Aoki, one of EDM's great showmen, has teamed with some of the biggest names in hip-hop. On Kolony, he abandons the trademark electro-house pulse of his Neon Future albums, instead diving into a booming and colorful trap-centric sound alongside modern stars like Migos, Gucci Mane, 2 Chainz, Lil Yachty and more. Rolling Stone caught up with Aoki to talk about the Kolony project, working with rap's newest generation and how the worlds of EDM and hip-hop continue to bridge.
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A$AP Rocky will lead the A$AP Mob across North America this fall on the hip-hop collective's Too Cozy Tour. The 20-date trek begins September 23rd at the Tsongas Center at UMass Lowell in Lowell, Massachusetts and wraps November 3rd at the 1stBank Center in Broomfield, Colorado.
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Along with Rocky, the A$AP Mob lineup features A$AP Ferg, A$AP Twelvyy, A$AP Nast and A$AP Ant. While Rocky, Twelvyy, Nast and Ant will appear at every show, Ferg will be absent from several dates including gigs in Detroit, Minneapolis, and Seattle. Playboi Carti will also serve as support on select dates, while Key! and DJ duo Cozy Boys will open throughout.
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Foo Fighters recruited Paul McCartney to play drums on one track from their upcoming ninth LP, Concrete and Gold. In a new interview with ET Canada, in which Dave Grohl called the Beatle "the most wonderful guy in the world," the band detailed how quickly the collaboration came together.
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"He hadn't even heard of the song," said an unspecified member of the sextet. "He comes in and Dave picked up an acoustic and showed him real quick. He sat on his special drum set that his tech set up for him. I sat there with a drumstick conducting. He did two takes."
McCartney previously collaborated with Grohl and two other surviving members of Nirvana (bassist Krist Novoselic and current Foo Fighters guitarist Pat Smear) on "Cut Me Some Slack," an original song recorded for Grohl's 2013 film, Sound City.
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Fifth Harmony offered another taste of their self-titled album with the confident, hip-hop inflected "Angel." Their 2017 LP will be the group's first as a quartet following Camila Cabello's departure from the group late last year.
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Former member Cabello is currently plotting the release of her debut solo album, The Hurting The Healing The Loving, on September 22nd. She has led up to the album's release with several new tracks, most recently teaming up with Young Thug for "Havana" and Migos' Quavo on "OMG."
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This iconic pairing is full of inspired jams: Swamp Dogg's 1970 "Total Destruction to Your Mind" morphs from a Sly Stone workout into a Funkadelic guitar display, and Stevie Wonder's "Higher Ground" gains heavy-metal bulk. But while Carlos Santana's guitar shines – Ernie Isley's, too – 76-year-old Ron is the lodestar, donning a falsetto smoking jacket for the Eddie Kendricks proto-disco "Body Talk," and investing Bacharach-David's corny "What the World Needs Now Is Love Sweet Love" with fresh gravitas.
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The Black Keys drummer Patrick Carney and singer-songwriter Michelle Branch covered America's 1971 soft-rock hit "A Horse With No Name" for the upcoming BoJack Horseman soundtrack, out digitally September 8th via Lakeshore.
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The duo reimagined the breezy track, layering percussion and washes of tremolo guitar over the signature acoustic guitar pattern and chorus vocal harmonies.
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Dave Grohl revealed that Justin Timberlake is the long-hyped mystery "pop star" collaborator*featured on the Foo Fighters' upcoming ninth LP, Concrete and Gold.
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Grohl detailed this unexpected collision of hard-rock and mainstream pop in Rolling Stone's new, in-depth*cover profile, noting that Timberlake often hung out with the band during downtime between their respective recording sessions at L.A.'s EastWest studios.
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Blink-182 frontman Mark Hoppus released a new song, "Not Every Dog Goes to Heaven," for his charity album Dog Songs. Album proceeds will go to the American Society for Prevention of Cruelty to Animals (ASPCA) for dogs affected by Hurricane Harvey.
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"Last week I went into the studio with John Feldmann and we bashed out the guitars, bass, and vocals in a morning," he continued. "Travis came in that afternoon and absolutely destroyed the drums. It was all finished in a matter of 3-4 hours. In a matter of days it went from an idea in the back of my head to a song on an album out in the world. It's a fun, energetic track that I'm proud to have included on the album, and it's for a great cause."
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Andrew W.K. will release his first studio album in nine years on March 2nd, 2018 via Sony.
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"I'm going for the sound of pure, unadulterated power," the musician/motivational speaker/longtime party champion said in a statement. "Every emotion, every thought, every experience, every sensation, every fear, every joy, every clarity, every confusion, every up, every down… all extruded and concentrated into one thick syrup of super life-force feeling, and then psychically amplified by the celebratory spirit of glorious partying."
The label has yet to announce a title or track list for the album, which follows two experimental projects from 2009: 55 Cadillac, a set of improvisational piano tracks, and covers set Gundam Rock, featuring reworked material from the Japanese anime series Gundam.
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Tim Heidecker, the comedian turned musician, joined violinist Andrew Bird for a Facebook Live broadcast of the latter's Live From the Great Room series, where they discussed the relationship between music and comedy. They also discussed Heidecker's history in music, since he released his debut album, In Glendale, last year.
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Pitchfork reports that during the hour-long broadcast, they performed In Glendale's "Central Air," Bird's "Fiery Crash," Heidecker's Our First 100 Dayscontribution "Trump Talkin' Nukes" and Merle Haggard's "Okie From Muskogee," as well as a couple of new songs.
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On new Wu-Tang Clan-related song "Lesson Learn'd," producer Mathematics disses Martin Shkreli, the infamous "Pharma bro" who reportedly paid $2 million for a copy of the group's one-of-a-kind LP, Once Upon a Time in Shaolin (before selling it on eBay), and exchanged widely publicized barbs with Ghostface Killah. "My price hikin' like the pills Martin Shkreli sells," Mathematics boasts on the cut, alluding to the former Turing Pharmaceuticals CEO's widely derided move to raise the cost of antiparasitic drug Daraprim by 5,000 percent.
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Redman and Wu's Inspectah Deck join on the low-key track, alternating verses over cinematic string samples and a thudding beat. Redman sneaks in some hilarious lines, including, "Never fell off, look in the mirror/ When I drop somethin', you like Martin – all ears."
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Lana Del Rey announced the LA to the Moon Tour, her 24-date trek in support of her recent LP Lust for Life.
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The 2018 arena tour kicks off January 5th at Minneapolis' Target Center and runs through February 28th with a tour-closing gig in Honolulu, Hawaii. Jhene Aiko and Kali Uchis will serve as Del Rey's two opening acts for the trek.
Lana Del Rey Tour Dates
January 5 - Minneapolis, MN @ Target Center
January 7 - Denver, CO @ Pepsi Center
January 9 - Kansas City, MO @ Sprint Center
January 11 - Chicago, IL @ United Center
January 13 - Boston, MA @ TD Garden
January 15 - Toronto, ON @ Air Canada Centre
January 17 - Detroit, MI @ Little Caesars Arena
January 19 - Newark, NJ @ Prudential Center
January 21 - Philadelphia, PA @ Wells Fargo Center
January 23 - Columbus, OH @ Schottenstein Center
January 25 - Washington, DC @ Capital One Arena
January 26 - State College, PA @ Bryce Jordan Center
January 30 - Charlotte, NC @ Spectrum Center
February 1 - Ft. Lauderdale, FL @ BB&T Center
February 2 - Orlando, FL @ Amway Center
February 5 - Atlanta, GA @ Philips Arena
February 6 - Nashville, TN @ Bridgestone Arena
February 8 - Dallas, TX @ American Airlines Center
February 10 - Houston, TX @ Toyota Center
February 11 - Austin, TX @ Frank Erwin Center
February 13 - Phoenix, AZ @ Talking Stick Resort Arena
February 15 - San Diego, CA @ Valley View Casino Center
February 16 - Las Vegas, NV @ Mandalay Bay Event Center
February 28 - Honolulu, HI @ Waikiki Shell
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Pink recruited Eminem for "Revenge," a new song off the singer's newly issued seventh LP, Beautiful Trauma.
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Seemingly channeling Eminem's Slim Shady LP, producers Max Martin and Shellback couch dark lyrics about revenge on a cheating ex under a bubbly musical bed that wouldn't be out of place next to the rapper's 1999 hit "My Name Is."
"So when you're driving to his house and you pass me while I'm driving a hearse," Eminem sings. "Just remember: you cheated on me first. You're a whore. You're a whore. This is war."
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Chris Cornell, Elton John, Dave Grohl, Iggy Pop and former Nirvana bassist Krist Novoselic are among the high-profile musicians who donated personal items used to create a unique line of timepieces, the Rock LTD Collection, The Hollywood Reporter notes. Cornell – who died by suicide at age 52 in May, contributed a guitar strap to the new watch line, which benefits the Recording Academy's MusiCares MAP Fund, dedicated to addiction recovery treatment.
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"Addiction is a disease, and we lose far too many loved ones to the illness each day," the Soundgarden frontman's widow, Vicky Cornell, said in a statement. "MusiCares is a crucial organization and the MusiCares MAP Fund 100 percent supports the music community in its fight to protect those battling this affliction."
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Radiohead's Jonny Greenwood will release his 2014 orchestral piece "Water" on vinyl November 10th via the Australian Chamber Orchestra and ABC Classics.
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The Australian Chamber Orchestra commissioned the piece, which Greenwood wrote after serving as the company's composer in residence in 2012. The composition features strings, piano, flutes, keyboards and the Indian instrument, the tanpura. Per the ACO's website, "Water" was inspired by the Philip Larkin poem of the same name, "which alludes to a glass of water 'where any-angled light would congregate endlessly.'"
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Kendrick Lamar struts around, eating Chinese takeout in a Kobe Bryant Lakers jersey, in a surreal clip for "New Freezer," the rapper's collaborative track with Rich the Kid.
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The video opens with the mysterious shot of a handgun emerging from velvet red curtains. From there, Rich the Kid cruises around a city late at night in a futuristic car, revels in a huge pile of cash and hangs out near a pay phone against a deep-black backdrop. When not eating leftovers, Lamar pops up in a different – more conventional – sports car.
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A Bee Gees musical is in the works, with Universal Theatrical Group securing rights to the legendary band's life story and music. Singer Barry Gibb, the group's only surviving member, will executive produce the as-yet-untitled project.
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UTG, Universal's live theater division, secured rights to the musical with Barry Gibb, Yvonne Gibb (wife of the late Maurice Gibb until the singer's 2003 death) and the estate of Robin Gibb (who died in 2012). In a statement, Barry Gibb called the project a "wonderful opportunity" for his family.
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The gospel-soul icon's third set with producer-collaborator Jeff Tweedy shows his touch more prominently than ever: For the first time he's penned all the songs (including three co-writes with Staples), recording them with his son Spencer, Wilco drummer Glenn Kotche and various Chicago multitaskers. The result is an object lesson in collaborative activism, with Staples tilting away from Sixties R&B formalism but doubling down on topicality.
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One month after Sharon Jones died of pancreatic cancer in 2016, her closest friends and family gathered at the Universal Church of God in Queens, New York, to celebrate and mourn the exuberant, Grammy-nominated soul and funk vocalist. As a teenager, Jones had written a song titled "Call on God" that she would often sing with other choir members. Later in life, she'd use it to warm up in the studio and recorded the track in 2007 with backing band the Dap-Kings for their third album 100 Days, 100 Nights. But the group already had another gospel song on the album and the track was permanently shelved.
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Now, many of these same members who sang with Jones through the decades were in church, belting Jones' moving spiritual. "We were all floored," says Neal Sugarman, Dap-Kings saxophonist and co-founder of Jones' label Daptone Records. With emotions still high following the service, the singers entered Daptone's Brooklyn studio to "perform" with Jones one last time on a heart-wrenching version of the song that appears on Jones' recently released final album Soul of a Woman.
https://www.youtube.com/watch?v=uPNbKATpQDY
"The first time people hear [Soul of a Woman] – especially the hardcore Sharon fans – people are going to get real down and then it's going to take them back up," says Sugarman. "From my perspective, it's one more nail in the annals of classic soul records because Sharon has proven through her catalog and live shows that she is one of the greats. Hopefully these are classic records, which means they'll live on forever."
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The music that saxophonist Pharoah Sanders made in the late Sixties and early Seventies will probably always be categorized as jazz. But that seems wrong, somehow. Where bebop is all about form and its infinite variations, the sounds put forth on Sanders albums such as 1967's Tauhid, 1969's Jewels of Thought, and 1970's Deaf Dumb Blind (Summun Bukmun Umyun) – records filled with celebratory Latin grooves; vicious, often cacophonous sax playing; and expansive drone-like bliss-outs – seem far more concerned with the Infinite.
And that idea still resonates today. It's the driving force, for example, behind the music of breakout saxist Kamasi Washington, whose entire approach – large band, long songs, spirituality to spare – feels like the second coming of Pharoah. (Meanwhile, the 77-year-old Sanders continues to tour the world.)
Originally released on the Impulse! label and reissued this month individually and in a deluxe three-LP set courtesy of Anthology Recordings, these albums find the Little Rock, Arkansas–born Farrell Sanders – he started going by "Pharoah" in the early Sixties while working with the ancient-Egypt–inspired Sun Ra – near the start of his career as a bandleader. Tauhid, the earliest album in this set, is the saxophonist's sophomore outing. By the time Deaf Dumb Blind was released, Pharoah was only about 30, but he had seen a lot by then: In addition to making his own recordings and gigging with Ra, he had spent almost two years in John Coltrane's final working band, which featured Alice Coltrane on piano. Like those artists and Sun Ra, Pharoah became a renowned yet often misunderstood torchbearer for what was then known as free jazz, or simply the New Thing.
But Pharoah has also been filed under "spiritual jazz," a label that better describes what's heard on these albums. The epic tunes are essentially quests, with any number of peaks and valleys along the way. In that sense, Pharoah's music on these albums can be seen as an extension of John Coltrane's seminal spiritual odyssey A Love Supreme, but with more musicians, more movements and more freedom.
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Quincy Jones' new subscription video-on-demand platform dedicated entirely to jazz will launch December 15th. Qwest TV will offer a curated lineup of over 100 "concerts, documentaries, interviews and archives of premium jazz and related eclectic music original content."
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The initial line-up boasts films featuring Aretha Franklin, Anderson .Paak, B.B. King, Robert Glasper, Sun Ra, Bobby McFerrin, Chick Corea, Wayne Shorter, Elvin Jones and more. Qwest TV has enlisted journalists and jazz experts to pen liner notes for each program, while subscribers will also receive guided playlists curated by musicians, label owners, producers and other jazz aficionados. The initial lineup is available to peruse on the Qwest TV website.
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